audio

Directed by Curtis Reid Henderson
Original Score by Axel Tenner and Max I. Milian

Max I. Milian, Komponist, Arrangeur, Filmmusik München, Dokumentarfilm

Symphonic poems for large orchestra

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

 

Max I. Milian, Komponist, Orchester, Dirigent, München

Animation by Linus Stetter
Original Score by Max I. Milian

Recording with the Slowakian Sinfonietta Zilina
Conducted by Max I. Milian

Max I. Milian, Komponist, Filmmusik, Orchester, Dirigent, München

This is the second movement of SCHÖNBUCH SUITE.

It is written for the documentary WINTER IN SCHÖNBUCH directed by Matthias Siegle.

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

Max I. Milian, Komponist, Schönbuch-Suite, Orchester, Klassische Musik, München

FAUST I & II
Theater der Altstadt Stuttgart
Directed by Uwe Hoppe

URFAUST
Hoftheater Bergkirchen
Directed by Herbert Müller

theater_komponist_max-i-milian_faust-i

Recordings with the Slowakian Sinfonietta Zilina
Conducted by Max I. Milian

Max I. Milian, Komponist, Filmmusik, Orchester, Dirigent, München

Symphonic poem in four movements for large orchestra

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

Directed by Sabine G. Kufner
Original Score by Max I. Milian

Max I. Milian, Komponist, Filmmusik, München

This is the third movement of the SCHÖNBUCH SUITE.

It is written for the documentary WINTER IN SCHÖNBUCH directed by Matthias Siegle.

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

Max I. Milian, Komponist, Schönbuch-Suite, Orchester, Klassische Musik, München

Die Verwandlung

SÜDDEUTSCHE ZEITUNG 2009
"(...) Schrille Dissonanzen, mächtiges Synthesizer-Grollen, hämmernde Rhythmen im fast unerträglichen Staccato hatte Max I. Milian in seine kongeniale Bühnenmusik eingebaut. Sie verstärkt (...) und trägt das Ihre zur geballten Ladung Emotion bei, die die Zuschauer aufwühlt (...)"

SÜDDEUTSCHE ZEITUNG 2014
"(...) begleitet von der eindringlichen Musik Max I. Milians hatte das Werk (...) Premiere vor ausverkauftem (Haus.)(...) Eine Parabel von beklemmender Aktualität und zeitloser Gültigkeit. (...)"