audio

18/86: The Story of an Unlikely Friendship

Directed by Curtis Reid Henderson
Original Score by Axel Tenner and Max I. Milian

All Styles · Sphere
Max I. Milian, Komponist, Arrangeur, Filmmusik München, Dokumentarfilm
Allstein-Suite

Symphonic poems for large orchestra

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

 

All Styles · Orchestral
Max I. Milian, Komponist, Orchester, Dirigent, München
Dead End

Animation by Linus Stetter
Original Score by Max I. Milian

Recording with the Slowakian Sinfonietta Zilina
Conducted by Max I. Milian

All Styles · Orchestral · Sphere
Max I. Milian, Komponist, Filmmusik, Orchester, Dirigent, München
Erwachen

This is the second movement of SCHÖNBUCH SUITE.

It is written for the documentary WINTER IN SCHÖNBUCH directed by Matthias Siegle.

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

All Styles · Orchestral
Max I. Milian, Komponist, Schönbuch-Suite, Orchester, Klassische Musik, München
Faust I & II

FAUST I & II
Theater der Altstadt Stuttgart
Directed by Uwe Hoppe

URFAUST
Hoftheater Bergkirchen
Directed by Herbert Müller

All Styles · Orchestral
theater_komponist_max-i-milian_faust-i
Mephisto's Dance

Recordings with the Slowakian Sinfonietta Zilina
Conducted by Max I. Milian

All Styles · Orchestral
Max I. Milian, Komponist, Filmmusik, Orchester, Dirigent, München
Schönbuch-Suite

Symphonic poem in four movements for large orchestra

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

All Styles · Orchestral
The Tobelhocker

Directed by Sabine G. Kufner
Original Score by Max I. Milian

All Styles · Adventure
Max I. Milian, Komponist, Filmmusik, München
Zauberwald

This is the third movement of the SCHÖNBUCH SUITE.

It is written for the documentary WINTER IN SCHÖNBUCH directed by Matthias Siegle.

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

All Styles · Orchestral
Max I. Milian, Komponist, Schönbuch-Suite, Orchester, Klassische Musik, München

Die lustigen Weiber von Windsor

SÜDDEUTSCHE ZEITUNG 2007
"(...) aus Shakespeares klassischem Werk haben Herbert Müller und Max I. Milian eine Komödie mit Musik gezaubert, die garantiert Gnade vor den Augen des großen englischen Dichters selbst gefunden hätte. (...)"

DACHAUER NACHRICHTEN 2007
"(...) Diese Mischung verheißt beste Unterhaltung, serviert mit Charme und Leichtigkeit. (...) Max I. Milian ist ein einfühlsamer, großartiger Begleiter auf dem Klavier. (...)"